As with all of my work prior to 1990, my imagery presented a female figure in a controlled, interior space. Individually, or in pairs, they were staged to fit a pre-conceived notion of what should be. That situation isolated the figure from her natural environment. It was a timeless space where the figures performed simple physical gestures: bending, sitting, walking. The woman was specific, yet anonymous. The implied drama was internal as well as external. In this series, the viewer completes the cycle of observation – who is looking at whom?